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Second Nature
2022


collaboration with Nicolas Touron

Second Nature Exhibition at SARAHCROWN NY
Second Nature Exhibition at SARAHCROWN NY

Installation View of Second Nature exhibition at SARAHCROWN Gallery in NYC.

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Second Nature Exhibition at SARAHCROWN Gallery
Second Nature Exhibition at SARAHCROWN Gallery

Installation View of Second Nature exhibition at SARAHCROWN Gallery in NYC.

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Nature 7
Nature 7

18.5" x 14" x 12" 3D printed porcelain and borosilicate 2022 Working in 3D printed porcelain and borosilicate glass respectively, Nicolas Touron and Amy Lemaire’s collaborative sculptural works reconsider nature from a post-anthropocene perspective. photo by John Rogers Photography

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Second Nature Exhibition at SARAHCROWN NY
Second Nature Exhibition at SARAHCROWN NY

Installation View of Second Nature exhibition at SARAHCROWN Gallery in NYC.

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Ghost Pollen
2022

Ghost Pollen
Ghost Pollen

borosilicate, projected NFT, 48" x 36" x 24" 2022 A mass of oversized clear glass pollen grains illuminated by an abstracted carnivalesque projection shot through a handmade lens, Ghost Pollen reflects on  the impact of technology and human intervention on nature.

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Ghost Pollen
Ghost Pollen

borosilicate, projected NFT, 48" x 36" x 24" 2022 A mass of oversized clear glass pollen grains illuminated by an abstracted carnivalesque projection shot through a handmade lens, Ghost Pollen reflects on  the impact of technology and human intervention on nature.

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Ghost Pollen
Ghost Pollen

borosilicate, projected NFT, 48" x 36" x 24" 2022 A mass of oversized clear glass pollen grains illuminated by an abstracted carnivalesque projection shot through a handmade lens, Ghost Pollen reflects on  the impact of technology and human intervention on nature.

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Future Hub and Duplex
2022

Gallery View, Future Hub and Duplex
Gallery View, Future Hub and Duplex

Gallery View of Future Hub and Duplex Through A Glass, Darkly at The Delaware Contemporary 2022 “Future Hub” (wall) and “Duplex” (floor) address the theme of “Through A Glass, Darkly”, considering the ability of glass to augment human perspective, extending our natural senses. Glass is an instrument for enlightenment and at the same time it is a driver for misinformation.

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Duplex
Duplex

60" x 40" x 36" borosilicate, mirror 2022 Duplex re-imagines the natural world through a post-anthropocenic lens. Working with borosilicate, Lemaire's surreal transparent sculptural works search for spiritual balance in an ever-shifting, synthetic landscape.

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Duplex
Duplex

60" x 40" x 36" borosilicate, mirror 2022 Duplex re-imagines the natural world through a post-anthropocenic lens. Working with borosilicate, Lemaire's surreal transparent sculptural works search for spiritual balance in an ever-shifting, synthetic landscape.

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Gallery View, Future Hub and Duplex
Gallery View, Future Hub and Duplex

Gallery View of Future Hub and Duplex Through A Glass, Darkly at The Delaware Contemporary 2022 “Future Hub” (wall) and “Duplex” (floor) address the theme of “Through A Glass, Darkly”, considering the ability of glass to augment human perspective, extending our natural senses. Glass is an instrument for enlightenment and at the same time it is a driver for misinformation.

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NFTs
2022

Intersection
Intersection

original, digital image by Amy Lemaire. Image shot on iPhone 8s through a handmade borosilicate lens.

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Gatekeeper
Gatekeeper

Reflection, NFT, Original digital image by Amy Lemaire

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That's All
That's All

original, digital image by Amy Lemaire. Image shot on iPhone 8s through a handmade borosilicate lens.

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Intersection
Intersection

original, digital image by Amy Lemaire. Image shot on iPhone 8s through a handmade borosilicate lens.

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Scenic Route
and Kosmos
2022

Scenic Route
Scenic Route

14" x 9" x 9" borosilicate, electrodes, transformer, neon Scenic Route explores ideas surrounding analog versus digital. This borosilicate sculpture is a functional marble maze game with many routes for the marble to travel to get from one end to the other through the movement of the hands of the player. At the same time the electricity added to the piece is quickly and easily finding the shortest route through the maze.

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Kosmos
Kosmos

18" x 19" x 4" borosilicate, recycled nichrome kiln element, electrode, transformer, argon, neon , xenon Kosmos refers to the intersection of ideas about order, arrangement and adornment, and takes the form of a loop which is reminiscent of a beaded necklace strand. The materials are industrial; a recycled nichrome kiln element that has been transplanted into the borosilicate glass vessel. A mix of noble gasses (rare gases) enable the circulation of energy to be visible as conductive

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Kosmos
Kosmos

18" x 19" x 4" borosilicate, recycled nichrome kiln element, electrode, transformer, argon, neon , xenon Kosmos refers to the intersection of ideas about order, arrangement and adornment, and takes the form of a loop which is reminiscent of a beaded necklace strand. The materials are industrial; a recycled nichrome kiln element that has been transplanted into the borosilicate glass vessel. A mix of noble gasses (rare gases) enable the circulation of energy to be visible as conductive

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Scenic Route
Scenic Route

14" x 9" x 9" borosilicate, electrodes, transformer, neon Scenic Route explores ideas surrounding analog versus digital. This borosilicate sculpture is a functional marble maze game with many routes for the marble to travel to get from one end to the other through the movement of the hands of the player. At the same time the electricity added to the piece is quickly and easily finding the shortest route through the maze.

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Synapse
2020

Synapse (light)
Synapse (light)

Borosilicate, krypton, phosphor, PLA, rubber, electronics, acrylic box In Synapse, a sensor triggers plasma bulbs to light the the presence of the viewer, acknowledging that the viewer. Is an essential participant in the piece. In this case, the presence of the viewer triggers a visualization of a “synapse” or an impulse passing between two nerve cells. Enlarged mirrored glass pollen beads reflect the light and point to themes of pollination or cross-pollination of ideas. It is a signal in

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Synapse (dark)
Synapse (dark)

Borosilicate, krypton, phosphor, PLA, rubber, electronics, acrylic box In Synapse, a sensor triggers plasma bulbs to light the the presence of the viewer, acknowledging that the viewer. Is an essential participant in the piece. In this case, the presence of the viewer triggers a visualization of a “synapse” or an impulse passing between two nerve cells. Enlarged mirrored glass pollen beads reflect the light and point to themes of pollination or cross-pollination of ideas. It is a signal in

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Synapse (light)
Synapse (light)

Borosilicate, krypton, phosphor, PLA, rubber, electronics, acrylic box In Synapse, a sensor triggers plasma bulbs to light the the presence of the viewer, acknowledging that the viewer. Is an essential participant in the piece. In this case, the presence of the viewer triggers a visualization of a “synapse” or an impulse passing between two nerve cells. Enlarged mirrored glass pollen beads reflect the light and point to themes of pollination or cross-pollination of ideas. It is a signal in

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Pollen Count
2021

Pollen Flow
Pollen Flow

borosilicate, steel, sterling silver 12" x 13" x 2" 2022 Collection of the Museum of Art and Design, NYC Acquisition Prize - Mad About Jewelry 2021.

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Pollen Count III
Pollen Count III

borosilicate, steel, sterling silver 17" x 14" x 3" 2021

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Pollen Count II
Pollen Count II

borosilicate, steel, sterling silver 24" x 16" x 4" 2021

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Pollen Flow
Pollen Flow

borosilicate, steel, sterling silver 12" x 13" x 2" 2022 Collection of the Museum of Art and Design, NYC Acquisition Prize - Mad About Jewelry 2021.

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Quarantine Drawings
2020

QD 6
QD 6

Ink on paper 9" x 12" 2020

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QD 4
QD 4

Ink on paper 9" x 12" 2020

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QD 17
QD 17

Ink on paper 9" x 12" 2020

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QD 6
QD 6

Ink on paper 9" x 12" 2020

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Pollen Piles
2019

Pollen Pile
Pollen Pile

mirrored borosilicate, fabric coated copper wire. 12" x 9" x 8" 2019 An oversized strand of glass beads inspired by microscopic renderings of pollen forms relate to the cross pollination of ideas, and the relationship between humans and nature. Pollen, a metaphor for education, relates to the the way information travels between people, and has the potential to extend beyond one human lifetime.

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Pollen Pile II
Pollen Pile II

mirrored borosilicate, fabric coated copper wire. 12" x 9" x 8" 2019 An oversized strand of glass beads inspired by microscopic renderings of pollen forms relate to the cross pollination of ideas, and the relationship between humans and nature. Pollen, a metaphor for education, relates to the the way information travels between people, and has the potential to extend beyond one human lifetime.

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Pollen Pile II
Pollen Pile II

mirrored borosilicate, fabric coated copper wire. 12" x 9" x 8" 2019 An oversized strand of glass beads inspired by microscopic renderings of pollen forms relate to the cross pollination of ideas, and the relationship between humans and nature. Pollen, a metaphor for education, relates to the the way information travels between people, and has the potential to extend beyond one human lifetime.

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Pollen Pile
Pollen Pile

mirrored borosilicate, fabric coated copper wire. 12" x 9" x 8" 2019 An oversized strand of glass beads inspired by microscopic renderings of pollen forms relate to the cross pollination of ideas, and the relationship between humans and nature. Pollen, a metaphor for education, relates to the the way information travels between people, and has the potential to extend beyond one human lifetime.

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New Normal
2020

New Normal
New Normal

digital print on aluminum dibond 48" x 36" 2020

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New Normal
New Normal

digital print on aluminum dibond 48" x 36" 2020

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Future Remains
2019

Bead Cone
Bead Cone

glass 4" x 2" x 2" 2019 Handmade glass beads are fused together to consider the future of waste material from the jewelry making process through an anthropological lens, imagining a future where such an object signals archaeological evidence of bead production.

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Future Remains
Future Remains

glass, sand 4" x 3" x 2", and 3" x 2" x 1.5" 2019 Handmade glass beads are fused together to consider the future of waste material from the jewelry making process through an anthropological lens, imagining a future where such an object signals archaeological evidence of bead production.

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Future Remains
Future Remains

glass, sand 4" x 3" x 1.5" 2019 Handmade glass beads are fused together to consider the future of waste material from the jewelry making process through an anthropological lens, imagining a future where such an object signals archaeological evidence of bead production.

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Bead Cone
Bead Cone

glass 4" x 2" x 2" 2019 Handmade glass beads are fused together to consider the future of waste material from the jewelry making process through an anthropological lens, imagining a future where such an object signals archaeological evidence of bead production.

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Scrub
2019

Scrub
Scrub

9" x 5" x 3" glass, sand 2020

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Scrub
Scrub

Glass, sand 9" x 2" x 2" 2019

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Scrub
Scrub

Glass, sand 9" x 2" x 2" 2019

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Scrub
Scrub

9" x 5" x 3" glass, sand 2020

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Optical Distractions
2019

Lobstah Architecture
Lobstah Architecture

digital image on aluminum dibond 2019

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Warp and Weft
Warp and Weft

digital image on aluminum dibond 2019

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Future Hub
Future Hub

digital image 2019

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Lobstah Architecture
Lobstah Architecture

digital image on aluminum dibond 2019

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Multi-Point Perspective
2019

Five Point Perspective
Five Point Perspective

borosilicate, PLA, hardware 2019 A group of conceptual tools based on a visualization of the concept of multi-point perspective. Handmade distortion lenses question slippery definitions of truth as it relates to ways of seeing.

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Two Point Perspective
Two Point Perspective

borosilicate, PLA 2019 A group of conceptual tools based on a visualization of the concept of multi-point perspective. Handmade distortion lenses question slippery definitions of truth as it relates to ways of seeing.

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Three Point Perspective
Three Point Perspective

borosilicate, PLA, hardware 2019 A group of conceptual tools based on a visualization of the concept of multi-point perspective. Handmade distortion lenses question slippery definitions of truth as it relates to ways of seeing.

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Five Point Perspective
Five Point Perspective

borosilicate, PLA, hardware 2019 A group of conceptual tools based on a visualization of the concept of multi-point perspective. Handmade distortion lenses question slippery definitions of truth as it relates to ways of seeing.

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Tool Path Drawings
2018

G Code Drawing 14
G Code Drawing 14

borosilicate 2018 G-Code, or toolpath used by computer aided machines as interpreted by the artist's hand, explores the relationship between analog and digital mark making, or tool-paths. Usually the translation goes from analog to digital, but here the absurdity of translating from digital to analog is explored.

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G Code  2
G Code 2

borosilicate 2018 G-Code, or toolpath used by computer aided machines as interpreted by the artist's hand, explores the relationship between analog and digital mark making, or tool-paths. Usually the translation goes from analog to digital, but here the absurdity of translating from digital to analog is explored.

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G Code 8
G Code 8

borosilicate 2018 G-Code, or toolpath used by computer aided machines as interpreted by the artist's hand, explores the relationship between analog and digital mark making, or tool-paths. Usually the translation goes from analog to digital, but here the absurdity of translating from digital to analog is explored.

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G Code Drawing 14
G Code Drawing 14

borosilicate 2018 G-Code, or toolpath used by computer aided machines as interpreted by the artist's hand, explores the relationship between analog and digital mark making, or tool-paths. Usually the translation goes from analog to digital, but here the absurdity of translating from digital to analog is explored.

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Apparatus: The Art of Scientific Glass
2018

Curated by Glenn Adamson with Dennis Briening


Steve Anderson, Dennis Briening, Tracy Drier, Jom Hodgeson, Amy Lemaire, Sally Prasch, Mike Souza
 

Apparatus: The Art of Scientific Glass
Apparatus: The Art of Scientific Glass

Apparatus: The Art of Scientific Glass curated by Glenn Adamson with Dennis Briening Steve Anderson, Dennis Briening, Tracy Drier, Jom Hodgeson, Amy Lemaire, Sally Prasch, Mike Souza

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Apparatus: The Art of Scientific Glass
Apparatus: The Art of Scientific Glass

Apparatus: The Art of Scientific Glass curated by Glenn Adamson with Dennis Briening Steve Anderson, Dennis Briening, Tracy Drier, Jom Hodgeson, Amy Lemaire, Sally Prasch, Mike Souza

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Apparatus: The Art of Scientific Glass
Apparatus: The Art of Scientific Glass

Apparatus: The Art of Scientific Glass curated by Glenn Adamson with Dennis Briening Steve Anderson, Dennis Briening, Tracy Drier, Jom Hodgeson, Amy Lemaire, Sally Prasch, Mike Souza

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Apparatus: The Art of Scientific Glass
Apparatus: The Art of Scientific Glass

Apparatus: The Art of Scientific Glass curated by Glenn Adamson with Dennis Briening Steve Anderson, Dennis Briening, Tracy Drier, Jom Hodgeson, Amy Lemaire, Sally Prasch, Mike Souza

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Cyanotypes
2019

Lens Field
Lens Field

Cyanotype on cotton 18" x 18" 2019

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Lens Field
Lens Field

Cyanotype on linen 20" x 14" 2019

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Lens Field
Lens Field

Cyanotype on linen 18" x 14" 2019

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Lens Field
Lens Field

Cyanotype on cotton 18" x 18" 2019

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CMBR
2018

Cosmic Microwave Background Radiaion
Cosmic Microwave Background Radiaion

digital image shot through handmade lens on iPhone 8 2019 Visualization of cosmic microwave background radiation as transposed through handmade lens.

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Cosmic Microwave Background Radiation
Cosmic Microwave Background Radiation

digital image shot through handmade lens on iPhone 8 2019 Visualization of cosmic microwave background radiation as transposed through handmade lens.

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molds, tools for CMBR
molds, tools for CMBR

3D printed models of spherical visualization of Cosmic Microwave Background Radiation, and clay blow molds. Glass was blown into the clay mold, and made in to a lens that attaches to an iPhone, which is then used to make images.

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Cosmic Microwave Background Radiaion
Cosmic Microwave Background Radiaion

digital image shot through handmade lens on iPhone 8 2019 Visualization of cosmic microwave background radiation as transposed through handmade lens.

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Cipher
2018

Cipher (detail)
Cipher (detail)

borosilicate, silver plated steel strand of 360 glass beads made from (unused) pharmaseutical bottles. 2018

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Cipher
Cipher

borosilicate, silver plated steel strand of 360 glass beads made from (unused) pharmaseutical bottles. 2018

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Cipher (detail)
Cipher (detail)

borosilicate, silver plated steel strand of 360 glass beads made from (unused) pharmaseutical bottles. 2018

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Improvisations
2018

Crescent Improvisation
Crescent Improvisation

glass, sand 14" x 9" x 3" 2018

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Mainly a Map
Mainly a Map

glass 10" x 6" x 3" 2018

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Double Improvisation
Double Improvisation

glass, sand 14" x 8" x 3.5" 2018

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Crescent Improvisation
Crescent Improvisation

glass, sand 14" x 9" x 3" 2018

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Impasto
2018

Impasto 2
Impasto 2

glass 8" x 8" x 6" 2018

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Impasto 4
Impasto 4

glass 9" x 5" x 4" 2018

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Impasto 3
Impasto 3

glass 6" x 8" x 5" 2018

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Impasto 2
Impasto 2

glass 8" x 8" x 6" 2018

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History of the
Present Moment
2017

History of the Present Moment
History of the Present Moment

glass, mixed materials on 48" table 2009 - 2017

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History of the Present Moment (detail)
History of the Present Moment (detail)

glass, mixed materials on 48" table 2009 - 2017

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History of the Present Moment.
History of the Present Moment.

glass, mixed materials on 48" table 2009 - 2017

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History of the Present Moment
History of the Present Moment

glass, mixed materials on 48" table 2009 - 2017

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Cyanometer
2017

Cyanometer
Cyanometer

glass, nylon coated stainless steel 2017

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Cyanometer (detail)
Cyanometer (detail)

glass, nylon coated stainless steel 2017

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Cyanometer
Cyanometer

glass, nylon coated stainless steel 2017

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